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Lesley, an expat housewife whose husband is traumatised by his service in World War I, finds herself shaken out of her dreary day-to-day by a visit from his old pal, Willie — the writer William Somerset Maugham, facing financial ruin after a catastrophic investment. Drama lies in Willie's love for his male secretary, as well as Lesley's friendship with an Englishwoman accused of murder — which, for Willie, proves an irresistible subject for fiction.

Blakemore puts flesh on the bones of this quasi-mythical figure by showing his escape from a violent, impoverished childhood. First, we see his life as a travelling showman, captivating onlookers with his unholy talent for munching all and sundry.

When it comes to being nominated for the Booker Prize, Tan has a 100 per cent hit rate. Longlisted in 2007 for his debut, and shortlisted for his 2011 follow-up, The Garden Of Evening Mists, the Malaysian author is currently on this year's longlist with his latest novel, a multi-layered tale of repression in 1920s Penang.

A full-throttle picaresque, it concerns the travails of a soldier and spy known as the Great Tarare, drawn on a real-life figure whose apparently insatiable (and reputedly even cannibalistic) appetites left his 18th-century contemporaries agog.

His last book, A Registry Of My Passage Upon The Earth, was a suite of tales with far-flung settings. His dizzyingly structured new novel is just as virtuosic. Spanning four centuries, Patriciashort.Com it spins a tangled web around the development of a humble homestead scratch-built by two young lovers fleeing a cloistered Puritan settlement in 17th-century Massachusetts.

Narrated as a cut-up patchwork of voices and genres, the book tracks the lives of the land's future inhabitants, from an orchard-planting colonist to a painter and a true crime writer — and even a beetle. All the while, ghosts of the past stalk the present.